Sympathy Quotes

I lay beneath the pine trees,
And looked aloft, where, through
The dusky, clustered tree-tops,
Gleamed rent, gay rifts of blue.

I shut my eyes, and a fancy
Fluttered my sense around:
“I lie here dead and buried,
And this is churchyard ground.

“I am at rest for ever;
Ended the stress and strife.”
Straight I fell to and sorrowed
For the pitiful past life.

Right wronged, and knowledge wasted;
Wise labour spurned for ease;
The sloth and the sin and the failure;
Did I grow sad for these?

They had made me sad so often;
Not now they made me sad;
My heart was full of sorrow
For joy it never had.

(Poem By Amy Levy)

UNWILLING priestess in thy cruel fane,
Long hast thou held me, pitiless god of Pain,
Bound to thy worship by reluctant vows,
My tired breast girt with suffering, and my brows
Anointed with perpetual weariness.
Long have I borne thy service, through the stress
Of rigorous years, sad days and slumberless nights,
Performing thine inexorable rites.

For thy dark altars, balm nor milk nor rice,
But mine own soul thou’st ta’en for sacrifice:
All the rich honey of my youth’s desire,
And all the sweet oils from my crushed life drawn,
And all my flower-like dreams and gem-like fire
Of hopes up-leaping like the light of dawn.

I have no more to give, all that was mine
Is laid, a wrested tribute, at thy shrine;
Let me depart, for my whole soul is wrung,
And all my cheerless orisons are sung;
Let me depart, with faint limbs let me creep
To some dim shade and sink me down to sleep.

(Poem By Sarojini Naidu)

Who should come up the road one day
But the doctor-man in his two-wheel shay
And he whoaed his horse and he cried “Ahoy
I have brought you folks a bow-leg boy
Such a cute little boy
Such a funny little boy
Such a dear little bow-leg boy

He took out his box and he opened it wide,
And there was the bow-leg boy inside!
And when they saw that cunning little mite,
They cried in a chorus expressive of delight
“What a cute little boy
What a funny little boy
What a dear little bow leg boy!

Observing a strict geometrical law,
They cut out his panties with a circular saw;
Which gave such a stress to his oval stride
That the people he met invariably cried:
“What a cute little boy!
What a funny little boy!
What a dear little bow-leg boy!”

They gave him a wheel and away he went
Speeding along to his heart’s content;
And he sits so straight and he pedals so strong
That the folks all say as he bowls along:
“What a cute little boy
What a funny little boy
What a dear little bow-leg boy

With his eyes aflame and his cheeks aglow,
He laughs “aha” and he laughs “oho”;
And the world is filled and thrilled with the joy
Of that jolly little human, the bow-leg boy–
The cute little boy
The funny little boy
The dear little bow-leg boy

If ever the doctor-man comes my way
With his wonderful box in his two-wheel shay,
I ‘ll ask for the treasure I’d fain possess–
Now, honest Injun! can’t you guess?
Why, a cute little boy
A funny little boy
A dear little bow-leg boy

(Poem By Eugene Field)

Sir, since the last Elizabethan died,
Or, rather, that more Paradisal muse,
Blind with much light, passed to the light more glorious
Or deeper blindness, no man’s hand, as thine,
Has, on the world’s most noblest chord of song,
Struck certain magic strains. Ears satiate
With the clamorous, timorous whisperings of to-day,
Thrilled to perceive once more the spacious voice
And serene unterrance of old. We heard
– With rapturous breath half-held, as a dreamer dreams
Who dares not know it dreaming, lest he wake –
The odorous, amorous style of poetry,
The melancholy knocking of those lines,
The long, low soughing of pentameters,
– Or the sharp of rhyme as a bird’s cry –
And the innumerable truant polysyllables
Multitudinously twittering like a bee.
Fulfilled our hearts were with the music then,
And all the evenings sighed it to the dawn,
And all the lovers heard it from all the trees.
All of the accents upon the all the norms!
– And ah! the stress of the penultimate!
We never knew blank verse could have such feet.

Where is it now? Oh, more than ever, now
I sometimes think no poetry is read
Save where some sepultured Cѕsura bled,
Royally incarnadining all the line.
Is the imperial iamb laid to rest,
And the young trochee, having done enough?
Ah! turn again! Sing so to us, who are sick
Of seeming-simple rhymes, bizarre emotions,
Decked in the simple verses of the day,
Infinite meaning in a little gloom,
Irregular thoughts in stanzas regular,
Modern despair in antique metres, myths
Incomprehensible at evening,
And symbols that mean nothing in the dawn.
The slow lines swell. The new style sighs. The Celt
Moans round with many voices.
God! to see
Gaunt anapѕsts stand up out of the verse,
Combative accents, stress where no stress should be,
Spondee on spondee, iamb on choriamb,
The thrill of all the tribrachs in the world,
And all the vowels rising to the E!
To hear the blessed mutter of those verbs,
Conjunctions passionate toward each other’s arms,
And epithets like amaranthine lovers
Stretching luxuriously to the stars,
All prouder pronouns than the dawn, and all
The thunder of the trumpets of the noun!

( Poem By Rupert Brooke)

He rides away with sword and spur,
Garbed in his warlike blazonry,
With gallant glance and smile for her
Upon the dim-lit balcony.
Her kiss upon his lips is warm,
Upon his breast he wears her rose,
From her fond arms to stress and storm
Of many a bannered field he goes.

He dreams of danger, glory, strife,
His voice is blithe, his hand is strong,
He rides perchance to death from life
And leaves his lady with a song;
But her blue-brimmed eyes are dim
With her deep anguish standing there,
Sending across the world with him
The dear, white guerdon of her prayer.

For her the lonely vigil waits
When ashen dawnlights come and go,
Each bringing through the future’s gates
Its presages of fear and woe;
For her the watch with soul and heart
Grown sick with dread, as women may,
Yet keeping still her pain apart
From the wan duties of the day.

‘Tis hers to walk when sunsets yield
Their painted splendors to the skies,
And dream on some far battlefield
Perchance alone, unwatched, he dies;
‘Tis hers to kneel in patient prayer
When midnight stars keep sentinel,
Lest the chill death-dews damp the hair
Upon the brow she loves so well.

So stands she, white and sad and sweet,
Upon the latticed balcony,
From golden hair to slender feet
No lady is so fair as she;
He loves her true, he holds her dear,
But he must ride on dangerous quest,
With gallant glance and smile of cheer,
And her red rose upon his breast.

(Poem By Lucy Maud Montgomery)

When the salt wave laps on the long, dim shore,
And frets the reef with its windy sallies,
And the dawn’s white light is threading once more
The purple firs in the landward valleys,
While yet the arms of the wide gray sea
Are cradling the sunrise that is to be,
The fisherman’s boat, through the mist afar,
Has sailed in the wake of the morning star.

The wind in his cordage and canvas sings
Its old glad song of strength and endeavor,
And up from the heart of the ocean rings
A call of courage and cheer forever;
Toil and danger and stress may wait
Beyond the arch of the morning’s gate,
But he knows that behind him, upon the shore,
A true heart prays for him evermore.

When a young moon floats in the hollow sky,
Like a fairy shallop, all pale and golden,
And over the rocks that are grim and high,
The lamp of the light-house aloft is holden;
When the bay is like to a lucent cup
With glamor and glory and glow filled up,
In the track of the sunset, across the foam,
The fisherman’s boat comes sailing home.

The wind is singing a low, sweet song
Of a rest well won and a toil well over,
And there on the shore shines clear and strong
The star of the homelight to guide the rover:
And deep unto deep may call and wail
But the fisherman laughs as he furls his sail,
For the bar is passed and the reef is dim
And a true heart is waiting to welcome him!

(Poem By Lucy Maud Montgomery)